2014. december 8., hétfő

Constructions of the Gassalkovich Palace in Gödöllő


Antal Grassalkovich started the constructions of the castle after 1735.


Antal Grassalkovich


The first part of them were finished in 1745. They built the U-shaped building which creates an internal garden. These constructions were based on the plans of András Mayerhoffer. Between 1746 and 1749 two new wings were built. Antal Grassalkovich continued the extension of the castle until the end of his life.




His son created a baroque theatre and his grandson initiated the building of a new wing and the creation of a french garden.
In 1867 the castle was renovated and it was the present for Franz Joseph and his wife Elisabeth.

Sissi and Franz Joseph in Gödöllő





Sources: http://www.museum.hu/muzeum/Godolloi_Kiralyi_Kastely_Muzeum/aktualis?f



 

2014. december 6., szombat

Jakab Fellner


Jakab Fellner had a significant role in Hungarian architecture. He worked in baroque style but also implemented elements of classicism. He played an important role in the development of towns as Tata, Pápa, Veszprém and Eger. He worked for the Esterhazy family as well as on many other buildings.


Important works:

Esterhazy castle, Tata


Calvary Chapel, Tata

Liceum, Eger

Bishop's Palace, Veszprém

Piarist House, Tata


Church, Pápa

Lamberg Castle, Mór



In 1773 he recieved a title and also a staute was raised in his memory in Tata.






2014. november 16., vasárnap

Furnishing in the Festetics Palace

In the Festetics Palace most of the furnitures has their own story. When Pál Festetics III was elevated to the dignity of count by Maria Theresia he enriched the furnishings. He ordered chairs, a good example is an armchair with glided tapestry and also services.






 At the time of György Festetics game rooms were constructed and he ordered a billiard table from Vienna, furthermore, furnishing were also made to the gun room. When Tasziló II took over the estate there were several changes in furnishing due to his marriage to Lady Mary Douglas Hamilton.


Tasziló II

Lady Mary Douglas Hamilton



 According to articles, she arrived in Keszthely with a trainload of furnishings from Western European countries. As for the restorations, the stucco work, fireplace surroundings, lighting, doors were newly planned in neo-Baroque, neo-Rococo and neo-Renaissance style. 




There are numerous paintings depicting the members of royal families.




 An extremely nice place of the palace is the grand staircase with oak panelling, where can be found some portrays of the members of the Festetics family. 





Sources: Ferenc Batári, Dr. Károly Sági: Festetics Castle
                Sági Károly, Péczely Piroska, Koppány Tibor: Keszthely(1962)



2014. november 12., szerda

The Jesuit Church in Esztergom


The ground plan of the church follows the style of the Il Gesu baroque church in Rome. It consists of one nave and it is a significant piece of the Hungarian baroque architecture. 


We can see two towers on the main facade.



 At the top in the middle of the facade stands the statue of Ignatius of Loyola which has been damaged over the years. Below the main entrance there is a huge window.





 The previous altar painting depicted the transfiguration of Ignatius of Loyola which was the work of Martino Altomonte. The painting of the side altar was painted by Antal Werle. 
The old organ was constructed in 1770.





The interior compared to the original one has a puritan character.





Sources: http://www.templom.hu/phpwcms/index.php?id=14,385,0,0,1,0

2014. november 10., hétfő

The history of the Jesuit church in Esztergom


Jesuits came to Esztergom after the leaving of the Turks in 1683. The constructions lasted for 10 years and they were started in 1728. The towers on the side of the facade were not built due to war purposes at that time.




 The church was sanctified in 1738 to the respect of Ignatius of Loyola



 In 1773 the pope disbanded the Society of Jesus then it became the property of The Order of Saint Paul, later the Benedicts. In 1788 Maria Theresa gave it to the archbishop József Batthány and the church became the temple of local people. 
The church survived two earthquake. During the WWII it was seriously damaged and it was reconstructed in 1958. The painting of the interior was finished in 1980. 



Sources: http://www.templom.hu/phpwcms/index.php?id=14,385,0,0,1,0

        

2014. október 26., vasárnap

Constructions and exterior of the Eszterházy Palace


The palace of Eszterhaza was built in baroque and rococo style, though we can see the features of the copf style as well.

The palace

In the Eszterházy Palace the constructions began in 1720 when there was a U-shaped castle for purposes of hunting.

Plans of the palace in 1774



 In 1762 Miklós Eszterházy organized a” commissio” when they agreed to reconstruct the palace and decided on the tasks of the workers. The constructions finished in 1784 and this is how it looks like today. There are new baroque style gates.   

Baroqe style gate


       

This palace can be counted among the first 18-19. century aristocratic palaces. There are 126 rooms in it. It has a balcony in front, moreover, there are staircases built in baroque style outside.

The staircase



 It has its concert hall as the central of the building. There are plenty of rooms with several purposes such as working, salons for the reception of the guests, bedrooms, dining rooms, concert halls. 

sources:

Hokkyné Sallay Marianne: A fertődi Eszterházy kastély(1979)
                Rácz Endre: Fertőd(1974)
                Stefánka László: Ismerkedés Fertőddel(2004)



2014. október 19., vasárnap

The Eszterházy family

A for the Eszterházy family I would like to write about the members who played an important role in the construction of the Eszterházy Palace at Fertőd. The Eszterhazy family was a very influential one in Hungary, which means that it had a great fortune, big territories and also was the supporter of arts and sciences. There were significant members in this familiy, who were not just in a good position in the court, but also supported the poor and made a lot of changes in their area. 
Before the constructions of this glorious palace, a castle stood at its place for purposes of hunting which was built by József Eszterházy.
József Eszterházy


His son, Miklós Eszterhazy lived for 20 years in Vienna, became a privy councillor, an imperial and royal Chamberlain. He got married with Maria Elisabeth Ungnad Weissenwolff and one year later they son was born calles Antal Eszterházy. He visited Paris and Versailles which made a big impression on him, therefore he decided to built the Hungarian Versailles. Once Maria Theresia visited the palace, what is more, she was fascinated by the palace and the garden, thus it is obvious that he created a marvellous court in Eszterhaza which shows resemblance to other palaces such as Versailles and Schönbrunn.  

Miklós Eszterházy


In 1761 his brother Antal Pál invited Haydn who became the composer of the family and also the conductor of the orchestra.

Antal Pál Eszterházy






Joseph Haydn

In 1762 Miklós Eszterházy organized a” commissio” when they agreed to reconstruct the palace and decided on the tasks of the workers.



Sources: Hokkyné Sallay Marianne: A fertődi Eszterházy kastély(1979)
                Rácz Endre: Fertőd(1974)
                Stefánka László: Ismerkedés Fertőddel(2004)

2014. szeptember 25., csütörtök

Tihany Abbey

The Tihany Abbey is a Benedictine monastery which was established in 1055 by Andrew I Hungarian king. Andrew I was buried here in 1060 in the crypt. Its foundation document is one of the oldest Hungarian written memorials.




The church was built in a traditional way with a nave, apse which under the crypt was built. In Hungary it is considered medium sized and its dimensions are 46x16, the height of the towers are 34,5.  The western (main) facade is ornated in a baroque style while the other sides of the church are not so ornated, they are really simple. From the southern size a monastery square is connected to it.

Interior

Main facade


The altars, sculptures and wooden decorations of the abbey has a significant role in the 18th century wood sculpture. The ornated pulpate and altars were made by Sebestyén Stulhoff. We can see the painting of the transfiguration of Aignan of Orleans at the main altar, moreover, the sculptures of Saint Stephen and Saint Ladislaus. Other altars which worth mentioning are the altar of Mariazell and the ”Jézus szíve” altar.

                                                                 Altar of Mariazell

                                                                        Main altar

The crypt was built in a Roman style, this is the only Hungarian crypt which remained intact. Here we can find the foundation document, but the original one is in Pannonhalma.

                                                                          The crypt


Nowadays in summers concerts take place here, in autumns and winters events and exhibitions are organized.

Sources:

http://tihany.osb.hu/hu/

2014. augusztus 26., kedd

Festetics Palace



The first baroque style bulding that I would like to write about is the Festetics Palace in Keszthely. The reason of this is that I live in Keszthely, therefore I see it almost every day and consider it extremely beautiful. The bulding itself has a long history as well as the garden and the people who lived here or even just visited it were very influential in their time.

Aristocratic palaces had many functions and the conceptions of the homes had changed a lot over the centuries. Many changes happened in terms of the decorations and also in the taste of the residents. In the baroque, palaces represented fortune, they expressed the well-being of the family. They primarily functioned for living purposes, they had to be comfortable, thus there was a functional organization of the rooms. However, it can be seen that in the huge palaces there were mostly places for social events, such as the dining halls, concert halls and halls for purposes of conversations. On the whole, they were convenient, as well as representative. Since the larger countryhouses were highly glorious, to make the constructions possible the owner had to possess a large land, therefore mostly the aristocracy could afford the constructions of such palaces. At his time the catholic nobles got enormous territories for their loyalty.  They were usually superior to other classes in the society and consisted of a very small circle of families. As a fact, in Hungary there were just a few families in that position.

                                                                    Concert hall

One of them was the Festetics family. Pál Festetics III was the member of the Parliament, was assigned a position in the Vienna Central Court, furthermore, he became a confidant of Maria Theresia. In 1772 the Queen elevated him to the dignity of count. His son György spent his childhood in Keszthely which means that Hungarian became his mother tongue, which was very rare among the upper classes this time. He was a student at the Theresianum in Vienna. Besides, he founded Europe’s first agricultural college the Georgikon in 1797 and organized the first Helikon festives which is a remarkable festival also nowadays. His great-granson’s Tasziló II wife was Lady Mary Victoria Douglas Hamilton whose first husband was Prince Albert of Monaco, which means that the family became connected to western royal families and the castle got many furnitures from there as a consequence.

The palace reached its present size in 1887. Kristóf Festetics began the constructions in 1745 on the place of the ruined Pethö fortress. In front of the palace was standing the church Saint Marton which was completely demolished in 1880. Additionally, there were several reconstruction plans made by Kristóf Höfstadter in 1755. This small palace was a one-storeyed U-shaped building with 34 rooms. It was followed by a major reconstruction between 1769 and 1770 by Pál Festetics who extended the wings to their present size. The next significant reconstruction was from 1792 to 1800 by György Festetics who added the north wing and the U- shape of the south-wing was further extended. In 1883 Tasziló II took over the estate and he made many changes on the palace. The north-wing was demolished, the internal countryard doubled in size, a new wing was built connected to the old one and they changed all the gates to new baroque style gates. 


                                                               The baroque style gate


                                                                    György Festetics


This palace can be counted among the first 18-19. century aristocratic palaces. There are 101 rooms in it.  It has its concert hall as the centre of the building which served originally as a dining hall. There are plenty of rooms in each with several purposes such as working, salons for the reception of the guests, bedrooms, dining rooms, concert halls. However, they didn’t have bathrooms, because the aristocracy didn’t really pay attention to hygiene. They heated the palaces with beautiful fireplaces and also stoves, the central heating was just later available. As well as in the exterior, we can see the impact of the West also in the interior and in the furnishing.Most of the furnitures were come from or just displayed resemblance to the west, mainly to the furnitures of the French palaces. The most important furnitures in the palaces were tables, chairs, commodes, beds, sofas and writing desks which was the most common furniture among them. There were beautiful crystal chandeliers in not just the concert halls but also in other rooms with less significance. Wall decors were mirrors, paintings or paintings depicting biblical scenes. The dominant colors are the white and the stucco works are worth admiring. On the walls we can see mirrors that were made in Italy which were the best in this era. The chapel in the palace is also outstanding with its marble wall lining.
Here we can see the alabaster statue of Saint Sophie. It was primarily maintained for family using.

                                                                    One of the many rooms
                                                  

                                                                          Chapel

An outstanding locality that is worth mentioning is the library which was the idea of György Festetics. As a fact, it is the most valuable room of the palace. Many members of the Festetics family were enthusiastic collectors of books and newspapers as well, this way they collected a huge number of books. The room was built between 1799 and 1801 made by oak tree and it was planned by a master cabinet-maker János Kerbl. The books were classified such as for instance Agricultural Literature and History, additionally they were mostly used for research purposes. 

                                                                         Library

Personally, my favourite place in the palace is the staircase with oak panelling where can be found some portrays of the members of the Festetics family.

                                                          Staircase with oak panelling


The park of the palace was designed to resemble the gardens of the French and English palaces. It was constructed to be suited for the architectural principles. There are wonderful lakes, artificial waterfalls, flowerbeds and statues. It was also in favor of different kinds of sport activities such as horse riding. 


                                                              The park with the lake

The castle is visited by hundreds of tourists every year. There are more exhibitions besides the castle such as the palm house, the coach and hunting exhibition and there are many interesting programs as well. During summers they are usually organized theatre performances with Hungarian actors and actresses. These performances in the evening make the atmosphere here really special.  It is opened in the whole year for tourists from all around the world.



Sources: 

Ferenc Batári, Dr. Károly Sági: Festetics Castle
                Sági Károly, Péczely Piroska, Koppány Tibor: Keszthely(1962)
                Zsuzsa Sidó: The Symbolic Role of Hungarian Noble Architecture in the Late 19th (2004)