The summery of the article "Jacopo Sansovino, Giacomo Torelli, and the Theatricality of the Piazetta in Venice" by Eugene J. Johnson

Some students noticed a relationship between the Piazetta in Venice and Renaissance scene designs. The Saint Marc Square functioned also as an auditorium.

Piazetta

Sansovino's library

 Sansovino designed the Library on the square which was also considered appropriate for theatrical situations. Before its constructions began, Sansovino knew that the Piazza was already used for theatrical purposes. There are many paintings which show that the events took place on the Piazza were watched by many people looking out from the windows and balconies. One painting like that is the “Procession of Corpus Domini in Piazza San Marco” by Gentile Bellini. 

Procession of Corpus Domini in Piazza San Marco

With Sansovino’s library, a perfect balance was created between the library and the Doge’s Palace, in other words between the Ducal Palace and the powers of procurators. Sansovino also cleared the Piazetta of market stalls to leave place between the columns for public spectacles. They were also many executions on the square which were followed by spectators standing on the balconies. Finally, the 16th century Venice was a major center also for comedia dell’arte troupes mainly during carnivals. 

Constructions of the Gassalkovich Palace in Gödöllő

Antal Grassalkovich started the constructions of the castle after 1735.

Antal Grassalkovich

The first part of them were finished in 1745. They built the U-shaped building which creates an internal garden. These constructions were based on the plans of András Mayerhoffer. Between 1746 and 1749 two new wings were built. Antal Grassalkovich continued the extension of the castle until the end of his life.

His son created a baroque theatre and his grandson initiated the building of a new wing and the creation of a french garden.
In 1867 the castle was renovated and it was the present for Franz Joseph and his wife Elisabeth.

Sissi and Franz Joseph in Gödöllő

Sources: http://www.museum.hu/muzeum/Godolloi_Kiralyi_Kastely_Muzeum/aktualis?f



 

Jakab Fellner

Jakab Fellner had a significant role in Hungarian architecture. He worked in baroque style but also implemented elements of classicism. He played an important role in the development of towns as Tata, Pápa, Veszprém and Eger. He worked for the Esterhazy family as well as on many other buildings.

Important works:

Esterhazy castle, Tata

Calvary Chapel, Tata

Liceum, Eger

Bishop's Palace, Veszprém

Piarist House, Tata

Church, Pápa

Lamberg Castle, Mór

In 1773 he recieved a title and also a staute was raised in his memory in Tata.

Furnishing in the Festetics Palace

In the Festetics Palace most of the furnitures has their own story. When Pál Festetics III was elevated to the dignity of count by Maria Theresia he enriched the furnishings. He ordered chairs, a good example is an armchair with glided tapestry and also services.

 At the time of György Festetics game rooms were constructed and he ordered a billiard table from Vienna, furthermore, furnishing were also made to the gun room. When Tasziló II took over the estate there were several changes in furnishing due to his marriage to Lady Mary Douglas Hamilton.

Tasziló II

Lady Mary Douglas Hamilton

 According to articles, she arrived in Keszthely with a trainload of furnishings from Western European countries. As for the restorations, the stucco work, fireplace surroundings, lighting, doors were newly planned in neo-Baroque, neo-Rococo and neo-Renaissance style. 

There are numerous paintings depicting the members of royal families.

 An extremely nice place of the palace is the grand staircase with oak panelling, where can be found some portrays of the members of the Festetics family. 

Sources: Ferenc Batári, Dr. Károly Sági: Festetics Castle

                Sági Károly, Péczely Piroska, Koppány Tibor: Keszthely(1962)

The Jesuit Church in Esztergom

The ground plan of the church follows the style of the Il Gesu baroque church in Rome. It consists of one nave and it is a significant piece of the Hungarian baroque architecture. 

We can see two towers on the main facade.

 At the top in the middle of the facade stands the statue of Ignatius of Loyola which has been damaged over the years. Below the main entrance there is a huge window.

 The previous altar painting depicted the transfiguration of Ignatius of Loyola which was the work of Martino Altomonte. The painting of the side altar was painted by Antal Werle. 

The old organ was constructed in 1770.

The interior compared to the original one has a puritan character.

Sources: http://www.templom.hu/phpwcms/index.php?id=14,385,0,0,1,0

The history of the Jesuit church in Esztergom

Jesuits came to Esztergom after the leaving of the Turks in 1683. The constructions lasted for 10 years and they were started in 1728. The towers on the side of the facade were not built due to war purposes at that time.

 The church was sanctified in 1738 to the respect of Ignatius of Loyola

 In 1773 the pope disbanded the Society of Jesus then it became the property of The Order of Saint Paul, later the Benedicts. In 1788 Maria Theresa gave it to the archbishop József Batthány and the church became the temple of local people. 

The church survived two earthquake. During the WWII it was seriously damaged and it was reconstructed in 1958. The painting of the interior was finished in 1980. 



Sources: http://www.templom.hu/phpwcms/index.php?id=14,385,0,0,1,0

        

Constructions and exterior of the Eszterházy Palace

The palace of Eszterhaza was built in baroque and rococo style, though we can see the features of the copf style as well.

The palace

In the Eszterházy Palace the constructions began in 1720 when there was a U-shaped castle for purposes of hunting.

Plans of the palace in 1774

 In 1762 Miklós Eszterházy organized a” commissio” when they agreed to reconstruct the palace and decided on the tasks of the workers. The constructions finished in 1784 and this is how it looks like today. There are new baroque style gates.   

Baroqe style gate

       

This palace can be counted among the first 18-19. century aristocratic palaces. There are 126 rooms in it. It has a balcony in front, moreover, there are staircases built in baroque style outside.

The staircase

 It has its concert hall as the central of the building. There are plenty of rooms with several purposes such as working, salons for the reception of the guests, bedrooms, dining rooms, concert halls. 

sources:

Hokkyné Sallay Marianne: A fertődi Eszterházy kastély(1979)

                Rácz Endre: Fertőd(1974)

                Stefánka László: Ismerkedés Fertőddel(2004)